Southern California Premiere
September 21 - October 12, 2008
Julianne Argyros Stage
DEAD MAN'S CELL PHONE
by Sarah Ruhl directed by Bart DeLorenzo
Pam & Jim Muzzy, Honorary Producers
Led by Variety (“wondrously mad and moving”) and The New York Times (“beguiling”), the critics—and the entire theatre world—have gone wild over
Sarah Ruhl’s writing. The Clean House was seen by SCR audiences before it
wowed New York and became a Pulitzer Prize finalist. Her latest comedy is
another runaway hit that proves she is, in the words of the MacArthur
Fellowship, "a playwright creating vivid and adventurous theatrical works."
In this imaginative new comedy, Gordon is dead, but his cell phone keeps
ringing. Would you answer? Jean does, and soon she’s telling the callers
what she thinks they need to hear, even though it takes her to hell (yes,
that’s where Gordon ends up) and back, as she draws them into the surprises
and mysteries of their lives—and her own.
Playwright:
Sarah Ruhl has written numerous award-winning plays, including The Clean House (Susan Smith Blackburn Award, 2004, Pulitzer Prize finalist, PEN/Laura Pels Foundation Award), Melancholy Play, Eurydice, Late: a cowboy song, Orlando, Demeter in the City (NAACP Image Award nomination) and Passion Play: a cycle in three parts (Fourth Forum Freedom Award, Kennedy Center). Her plays have been performed at theatres across the country. Her plays have been translated into German, Polish, Korean, Russian and Spanish, and have been produced internationally in London, Canada, Germany, Latvia and Poland. She is the recipient of a Helen Merrill Award, Whiting Writers' Award and a MacArthur Fellowship.
Recommendation and Resources:
Ruhl’s work is poetic while still being funny and conversational, but while younger theatre-goers will be amused by the cell phone as a sort of character, they may miss the deeper themes and subtleties that will be understood by high school students and above.